Own Season One
In the words of Divya (Reshma Shetty), “the cold war’s still raging” between the brothers after Hank (Mark Feuerstein) and Evan (Paulo Costanzo) find that HankMed’s entire savings have been swindled by their untrustworthy father, following Evan’s judgmental lapse to trust the man who helped bring them into the world.
And while checks are bouncing and Hank avoids Divya’s calls as well as his appointment to take care of the family situation as the second season of Royal Pains begins, soon the “Robin Hood of Medicine” is back in full swing, reminding America why he’s become our knight in a shiny white coat (when that is, he’s not wearing Hamptons beach apparel).
As a concierge doctor to the rich and an on-call physician to everyone else including his mysteriously ill landlord Boris (Campbell Scott), Hank finds himself up to his neck in work revolving around one unusually accident prone infomercial spokesperson who seems to have a different ailment every time Divya’s phone rings.
With Marcia Gay Harden making the life of Dr. Jill Casey (Jill Flint) miserable at the local hospital thanks to the young woman’s insistence to put the comfort and needs of patients before the tantrums and paychecks of spoiled surgeons, Jill is all too eager to become even more professionally entangled by HankMed despite her romantically rocky relationship with the leading man.
In a pleasant prescription of sunny fun and feverish medical drama complete with some of the most bizarre cases you’ll find on that side of New York, Royal Pains tricks you into assuming it’s all business as usual until-- much like in the outlandish emergencies Hank is able to instantly piece together-- the series produces a side effect we weren’t expecting at all in one killer of an ending sure to lead to USA Network addiction this summer. Luckily, however, there’s a cure for what ails you and HankMed’s got it in spades.
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FTC Disclosure: Per standard professional practice, I viewed an online screener of this title in order to evaluate it for my readers, which had no impact whatsoever on whether or not it received a favorable or unfavorable critique.